Telling stories has always been a great
love of mine. When I was younger I used
to share a bed with my little sister. I
would lie awake long after we were supposed to be in sound slumber and tell my
little stories. They were mostly what
would be called “fan fiction” because I stole the entire cast of The Justice
League.
Those stories were our secret,
and she loved them. I would tell her
enough of the story to get her into it, and then leave off with the best
cliff-hanger I could muster, and tell her to go to sleep. The rest of the story would have to wait for the next night. Some days she was so impatient to hear the
end of the story that she would beg me to tell her the story early. One day, the secret slipped and two of my
other sisters heard about my story-telling.
Their curiosity was peaked, and that night my audience grew.
How did we all listen without getting caught? We had a secret door that connected our rooms
and before we crawled under the sheets we would prop it open. I told the story just loud enough to be
heard, and my stories went on.
But what
was it like to be a creator of stories?
For me, it was like manipulation. Not like
it though, it was manipulation. I would
look for key-words that sparked a cringe, or a gasp. I would try to find cliff-hangers that really
killed them. I
grew as a writer and story-teller during those days. Even though the stories (that probably
weren’t very good anyways) are lost to faulty memory, the things I learned have
stayed with me. I’ll keep on manipulating readers if I can.
I like how the story of the little-girl story-telling leads neatly to the more mature writer's secret techniques of manipulation. Is manipulation something for fiction only or for any writing you do? (Naturally, as a reader, I'm curious if you're cliffhanging me....)
ReplyDeleteWell, I hadn't thought much about doing it for non-fiction. I'm sort of new at this, but I ought to give it a try.
ReplyDeleteWhat makes creative nonfiction creative is using techniques of fiction.
ReplyDelete